“My work exists at the intersection of Anishinaabek cultural knowledge and Western based art practices. Previously based in Brooklyn for the past 9 years, I am Canadian like my settler father and Anishinaabe like my late mother, as well as an off-rez citizen of Wasauksing First Nation, Ontario. My strategies to disrupt and deconstruct colonial spaces transform institutional models of trust building and strengthen Indigenous peoples in our homelands resourcefully through art. My commitment to art based practices expands conversations on North American Indigenous bodies that crossover the Nation State borders of Canada and the United States of America. I view Indigeneity as mobile from multiple positions to free it from reductive singular readings. My projects position Indigenous arts as a technologically advanced and active living presence across time and into the future, expanding and contracting from the local to the global.” By Maria Hupfield
“Maria Hupfield is a maker, a mover, a connector, an Anishinaabe-kwe of Wasauksing First Nation. Like the artist herself, Hupfield’s work is never static. Her performances, sculptures and installations reference different spans and scales of times. The projects specifically reflect her resistance to the Western tendency to essentialize Native artists and treat them as interchangeable producers of exotic cultural experiences. She values expansive exchange over isolation, and inclusion over hierarchy.” – Vanessa Dion Fletcher, Art in America, October 2017
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